Sophia Bush’s Dr. Samantha Griffith is the obvious Good Samaritan in high-tension clinical drama ‘Good Sam.’ Katie Wech, whose earlier writing credit come with youngster comedy ‘Prom,’ reared the sequence with an intricate figuring out of human nature and anatomy. Cardio surgeon Dr. Samantha Griffith has abilities, because of her piano courses, however she is instantly stifled below the drive of her domineering father, who may be her boss.
However, when the boss-father falls right into a coma, Samantha will get a stint at main the dep. rather than her father. The state of affairs takes a captivating flip with the daddy getting back from the coma and significant to serve on the clinic. However, he can paintings handiest below the supervision of his daughter. The premise units us up for a drama stuffed with frictions. ‘Harry Potter’ franchise famed Jason Isaacs portrays a function position as Dr. Rob “Griff” Griffith. However, you might wonder if the sequence is in response to a real tale. In that case, allow us to information you to enlightenment.
No, ‘Good Sam’ isn’t in response to a real tale. However, the theme of generational struggle embedded inside the account might resonate universally a number of the audiences. Katie Wech created the sequence with Jen Klein serving as an govt manufacturer. And the sequence has no relation to the 2019 film of the similar identify. The author possibly took some inspiration from vintage clinical dramas up to now.
The sequence is luxurious in ‘Grey’s Anatomy’ styled heightened drama. Moreover, Dr. Samantha Griffith, like Dr. Gregory House, is a seasoned pianist, however Dr. Rob Griffiths additionally has distinct ‘House’ traits. All the standard clinical drama components are provide within the sequence. However, the sequence does now not fail to seize the generational discord, as Samantha’s resemblance with House ends on the “agile arms.”
The era shift within the sequence may be a shift within the gender spectrum and ideologies. Samantha does issues otherwise than Rob, and Rob sneers at her vulnerabilities. Samantha is an optimist and stuffed with empathy, whilst Rob’s revel in has hardened him. Time has made him pragmatic – nearly to a fault. Samantha thinks her father will have to be extra conscious and not more sensible, whilst Rob believes his daughter will have to dial down her optimism.
None are completely proper, as each lack the stability of personality. The sequence walks the gray spaces of circle of relatives and administrative center, and the quirky premise mingles the 2. However, maintaining the characters grounded, the creators have woven a tale the place each father and daughter have cheap contesting grounds. While Rob is an establishment via himself, Samantha has to struggle for her position.
Her struggle is towards her father, towards old-world perspectives, and a emblem of patriarchy. Sophia Bush reminded us of the tale of David and Goliath. David used to be now not insufficient in entrance of the mammoth establishment of the Goliath, and Samantha is a David within the tale. Therefore, bearing in mind all of the facets, the sequence appears to be slightly tethered to the fictitious realm. However, the common theme of generational contention resonates inside the audience, and the sequence marks a welcome trade via showcasing a feminine lead.