What Are Medusa and Perseus in Photocopier?

A girl’s quest to track the occasions that happened on an evening she blacked out bureaucracy the crux of ‘Photocopier.’ Wregas Bhanuteja’s characteristic directorial debut uses fantastically haunting allegories to convey out the protagonist’s plight. Suryani, an ace scholar who loses her scholarship because of only one evening of consuming, realizes that no longer all is because it gave the impression at the evening of Mata Hari’s birthday celebration. In truth, a play on Medusa and Perseus that will get acclaim is the explanation the fateful birthday celebration is thrown in the first actual position. From the start, this Greek story acts as a motif for us, so we made up our minds to damage down the intricacy of this metaphor. SPOILERS AHEAD.

What Are Medusa and Perseus in Photocopier?

The film opens with a efficiency of a play revolving round Medusa and Perseus — central characters of an notorious Greek story. To reduce an extended tale brief, Perseus’ mom, Danae, and he are banished from their hometown. King Polydectes, the ruler of the island the place they ultimately make their means, is relatively smitten by means of Danae and desires to be together with her. Eventually, after imprisoning the mummy, Perseus is shipped by means of the king to get Medusa’s head.

As in step with the myth, any person that appears on the Gorgon will change into stone. But with the assistance of Athena and a couple of different characters, Perseus is in a position to slay Medusa with none eye touch and save his mom from the clutches of King Polydectes. On the skin, it sort of feels as although that is simply any other tale the place a person will get to be a hero and the lady — on this case, his mom — turns into the damsel in misery. Medusa takes at the function of the villain, which is amped up by means of the way in which she seems. (Snakes rather than hair does no longer sound just like the stuff of goals, does it?)

However, delving deeper into Greek mythology, we discover out that Medusa herself has been the sufferer of a person’s lust. When Poseidon, the God of the Sea, turns into enamored by means of her, he rapes her in Athena’s temple, who in flip makes Medusa a monster. As such, the truth that ‘Photocopier’ opens with this tragic tale additionally turns out to focus on the central characters of our tale — Sur and Rama.

Sur — and to a point Farah and Tariq — could also be noticed because the Gorgon siblings. But it’s essentially Sur who might be known as Medusa. After all, if Rama believes himself to be Perseus, then Sur is the “monster” who is about on destroying him, and any person with as a lot affect in society as Rama will do the entirety he can to slay the mentioned monster.

The first part of the film makes an attempt to offer Rama a preventing probability at proving his innocence, and Sur’s claims are many times puzzled. Eventually, even a viewer reveals themselves casually questioning if Rama, the blameless showing one, is if truth be told in a position to heinous acts. Sur to start with simply appears to be paranoid concerning the occasions of the evening, particularly when the CCTV photos at Rama’s area presentations no glaring indicators of wrongdoings.

However, the sequences within the latter part of the movie additionally identify that Rama thinks of himself as Perseus, the slayer of Medusa. In a particularly poignant scene the place Rama and his accomplices fumigate Siti’s area, he comes dressed up because the Greek hero and recites the traces from Mata Hari’s play in a virtually psychopathic method. While maintaining the motive force’s telephone in his arms, Rama says, “This Pandora’s field is a container for unspeakable evils that can not be set loose! And this Perseus should banish it to oblivion.”

This entire act turns into much more terrifying when the general public provider announcement for the fumigation, inquiring for folks not to omit “to empty, to hide, and to bury,” is performed within the background. Wearing the invisibility helmet, which is part of Perseus’ outfit, Rama then burns the telephone, most effective proving that he does no longer repent his movements. His movements don’t seem to be that of a hero, but when for the sake of this dialog, we do imagine him as Perseus, then it’s glaring that the metaphorical Medusa is Sur and the proof that she, at the side of Farah and Tariq, has been in a position to procure towards him. This is why Rama calls himself the destroyer of Medusa earlier than burning the telephone and ruins the trio’s preventing probability to end up their argument.

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Derek specializes in writing celeb gossips and TV Shows. He used to watch latest movies and reality shows and write about them.

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